Thursday, September 5, 2013

to Otto Goldschmid, December 31, 1941




Murray was getting his Masters at the Columbia School of Journalism when the Japanese bombed Pearl Harbor. With the exodus of journalists to the army, he was hired within days at CBS Radio, and soon after by both Time Magazine and the New York Herald Tribune. He was 25. He kept all three jobs, with Rosa attending his Columbia lectures and taking notes, until he collapsed from exhaustion.

Dear Otto—

The book [I Had a Dog and a Cat, by Czech playwright Karel Čapek, who later wrote R.U.R., from whence came the word “robot.”] came last night and it almost made us late to the University of Washington – NYU basketball game in Madison Square Garden. …

The card wasn’t half bad either. Isn’t it a reserve print of one of the pictures you had in your folio? It certainly looks familiar. But how did you manage to get the light effect around the bell? … Your mother’s card with the picture of the mountain [to Tacoma natives, “the mountain” inevitably means Mt. Rainier] is another beaut. We have been showing it to the New York natives so they can get an idea of what good scenery really is. 

Now, before asking some more questions, here is a bit of dope about us. About three weeks ago I was in Brooklyn, giving a talk to a high school journalism class. The Columbia school of journalism sent me to pinch-hit for a prof who didn’t want to have to make the talk. While I was out I received word from the school that a fellow named Paul White wanted to see me right away. They gave me the address. It turned out to be the Columbia Broadcasting Studio and Paul White was the head of the Columbia news service. He asked me if I’d like to try out for the staff. I said sure. So I worked eight hours that night and I’ve been working there ever since. 

I’m still going to school—right now it’s vacation—but this seems to be a permanent job. I’ll probably keep working on here in June. Now I’m working 36 hours a week (basic beginners pay is $50 for a 40-hour week) and most of my hours come in the early morning. My duties are simple. I rewrite news from the AP, UP and INS tickets and put it in shape to be broadcast. Four days a week I do five minute “shows” for 6 a.m., 6:55 a.m. and the opening news summary and closing news summary on the morning “News of the World” program, in which Columbia calls in its correspondents. It is transcribed for the Pacific Coast and I don’t know what time the stations at home use it. But it is the morning stuff that you hear on the CBS stations. On Mondays, I write a full fifteen minute network show. It is fun to write that one as there is room for all sorts of background.

The staff here is really wonderful. There is quite a bit of pressure on the boys as they prepare the news shows, so they have developed a real esprit. (Actually, however, there isn’t as much real pressure here as there sometimes was on the Washingtonian on nights of big sports events when the phone just went crazy.)

Elmer Davis--an all-grey man
If I recall, you are great admirer of Elmer Davis. He is really a remarkable fellow. The first couple days I was here I talked to him quite a bit—that was before I found out who he was—and then I was a bit scared to butt in. But he hasn’t any airs and now I chin with him the same as the rest of the guys. He’s a walking encyclopedia. I never saw such a memory for dates and place names, and his dry humor is just as good off the air as on. He’s an all-grey man—grey hair, grey suits, grey spats—except for the black horn rimmed glasses which look remarkably out of place. William Shirer [author of Berlin Diary] was around here the first few days but is taking some time off. He doesn’t seem to have half the depth of Davis. Ed Murrow, formerly of London, is a real boy. He definitely knows what’s playing. 

Murrow and Shirer, before the rift that ended their friendship
One thing around here keeps bothering me. It’s hearing some familiar radio voice and, looking up, discovering that it belongs to a human being and not a loudspeaker. I get a jar from that everytime it happens, which is often—for the boys wander around practicing all the time.

Rose has been keeping very busy, too. Now she’s going to be more so. She’s sending in her credits to City College of New York and will soon be starting school there. She’s tickled pink at the prospect. She is also down as a blood donor for defense, but I don’t know when the doctors plan to drain her, and neither does she. 

School work for me hasn’t been terribly tough. Most of the class is without real newspaper experience, and I have quite an edge—even if my work was on nothing better than the Washie. In addition, I’ve been doing quite a bit of writing for small magazines with Howard Daniel, our Australian friend. We have an article on Reinhard Heydrick coming up (under Howard’s byline) in the February edition of Who, and have had a lot of stuff published in the Dutch publicity magazine, Knickerbocker

Most of the articles we wrote before the war were based on the interesting thesis that Anglo-American air power in the Pacific would keep the Japanese from trying anything fancy! They make most interesting reading today. I hope that Knickerbocker readers are not in the habit of saving their old magazines. But the editor has forgiven us for our mistakes and is still accepting stuff from $20 to $30 an article. 

Now that I have a job and there is more money coming into the Morgan coffers, we are getting around a bit more. Rosa and I went to see a play, Angel Street, on Monday night and it was really good. ["Angel Street" was the American name for the the British play "Gaslight," later made into the eponymous film. Vincent Price played the devious Mr. Manningham the night Murray and Rosa saw it.] A couple of weeks back we saw the Ballet Theatre. Next in line for us will probably be Macbeth and Watch on the Rhine. We are also contemplating an opera, but just which one we’re not sure.
And that brings us back to you. How is the war affecting your activities? If I remember, you have an Austrian passport, so you haven’t had to turn in your cameras. Right? Is Shelton blacked out, and if so, does that effect your hours of work? And what effect will the war have on pulp anyway. Are you a war product? (Lord, I sound like I was conducting an interview.)

We had a nice letter from Phyllis a couple days after the war started. She sounded slightly shell-shocked, but seemed to think it all very interesting. It is hard to realize out here in New York. It seems as far away as it was in Europe—until I see in the Washie about kids I knew who were killed at Pearl Harbor or read flashes from here about subs just off the coast.
Well, Otto, I guess that I had better bring this rather incoherent set of questions and answers to a close. … We both send love to your mother and hello to everyone,

Murray and Rosa


Saturday, August 10, 2013

to Lane Morgan, from Harstene Island, 1 August 1971(?)



Dear Mountain Woman -– 

You are missed. You are, indeed, almost the only one missing. Rags arrived a few days ago with Amy, who is tall, bespectacled, lean as Dana, and every whit as charming as ever. She swims vast distances daily at a Slo-Mo-V pace, and can barely wait for the time when some oldsters muster the energy to row or paddle across the Inlet, monitoring her swim. Maybe mañana. 

The Wheelises (Wheelii?) got in yesterday afternoon, delighted that Monte recognized the island on crossing the bridge. Joan had shopped for them in advance, three carts full and they moved into well-stocked comfort. It was Phyllis’s turn for dinner. Rain—the first since we started south—but only in showers and we were able to stay on the porch. A great evening; we grumbled about the rumble of artillery practice at the Fort, admired the orange of the flares, hoped the brass saw an omen when the sky talked back with a brief burst of electronics, discussed the relative merits of Almaden and Rags’s latest favorite among $2.70 a gallon reds, admired Phyllis’s pilaf, and made it to bed by eleven on a soft, warm open-sleeping bag night, the birds calling out on the dark water.

Rosa is rebuilding the privy from the bottom up (its bottom). When she took up the floor there was nothing underneath. Apparently faith has kept us aloft these past few months. She is getting much advice but only occasional help as she redesigns the premier derriere depository of Point Wilson. But last time I was up she was humming. 

The N.W. Writers conference was held at PLU this weekend and I was on the panel dealing with Western Americana. (I felt a bit like the man who learned what prose was and felt surprise that he had been writing it all his life.) One of the other panelists was Donald Bower, the editor of American West, which is published out of Palo Alto. He got wildly enthusiastic about Bold Northwestermen and left with the first section (1/3 of book) including the pictures. …

The Joffrey comes to Seattle Tuesday. The word is out that I’m no longer on the air: no passes. So we won’t see as many performances as in the past. But we will probably go on opening night to see “Trinity,” Arpino’s rock response to “Astarte,” which even the English liked, tho in general the London critics were not enchanted. They felt the big works gimmicky, “Green Table” outdated (!)  and in the minor pieces noted the rather slapdash techniques of most of the company. But then, Clive Barnes this week gave the back of his hand to the Royal Ballet, hoping they’ll tend to their knitting and approach the class of the NY City Ballet by next year. Criticism, thy name is bitchery.

There is a seal swimming by just inside the Goldschmid boat, a squirrel is gnashing his teeth in the haze. They madrone rattles in a light wind. The swallows are doing acrobatics. The crows are discussing sandfleas. Rosa is hammering. Your other world is in proper order. 




Love,
Father-type.

Friday, August 9, 2013

to Phyllis and Otto Goldschmid, Brazzavile, April 1957




Dear Phyllis and Otto—
 
The rain has been falling steadily here today, like a Northwest summer rain. It beats the heat, but the African boys sitting under the banyan tree look sad enough, and I feel sad enough. This country is depressing. There is such an air of permanence about the European colony (not that in itself bothers me) but everybody is here to make money fast, or to start a government career at the very bottom rung; no one has any connection with the town itself.
 
Poto-Poto, by Congolese photographer
Serge Gatien Sita "Valloni"
http://damoison.com/atelier/congo_net/congo_pages_bios/bio_sita.html

As for the native population, which lives in a section of the town called Poto-Poto, which means Mud-Mud, They are docile and gentle and sweet and undemanding, and how they are going to get in position to demand schools and representation and finally independence, I don’t know. Rags might ask, “Are you unhappy because they are happy?”

I get out of here May 1 for Nigeria, and I anticipate a contrast for the British, to the consternation of the other colonial powers, will turn Nigeria loose in less than two years. Not ready, the French tell me. But is any country ever ready? I ask.

“Some more than others.”

“Well then, what has France done to prepare these people for independence? How many colleges are there for the natives? 

“None.”

“How many high schools?”

“None.”

“Grade schools?”

“Oh yes. But only to the third grade.”

“And does everyone go?”

“About 40% of the boys in the towns and cities.”

“What about the girls?”

“Almost none. Native women don’t ask schooling.”


And so forth.



The land is beautiful—low mountains in the distance with the broad valley of the Congo in between, the river red brown, unhurried through the city, bursting into wild rapids below. Flowers bloom everywhere. The trees are aflame with bursts of red and orange and pink and yellow. Poinsettias grow fifty feet high, the river itself is choked with water hyacinths. Trees, planted mostly by the missionaries in the last century, line the streets. It’s hard to see how such a pleasant place can be distressing. 


But during a lightning storm the other day, I saw, in a sudden glare, a coral snake swept past my feet in the gutter overwash. Then darkness and it was gone. 


Yours,

Murray

[Congo got its independence in 1960, and Murray’s disquiet about its prospects has been justified by events.]

to Lane Morgan, 31 October 1972



Hi, Birthday Girl….

Rosa has been burning the midnight pugetpower as if a Nancy Bare special were to be on stage tomorrow, while I’ve been pondering the possibilities for a paternal type present for an anti-materialist of twenty-two. The result is a refurbished teeth from me, a poncho from Rosa, and we both hope they fit. 

It will be great if you can make it up for Thanksgiving. The beach last weekend was marvelous. Pete and Ellie were there; she was stringing morels and russellas on fishline leader to dry over the big stove, and Pete, whose handlebar has turned dark red in contrast to his pepper gray elsewhere, was saying of the blustery day, “this kind of day is what this place is all about.” Leslie was supposed to be about to tell her boyfriend that she wouldn’t go steady but they didn’t look like it walking the beach. Otto was in S.F. to see Johanna and the Wheelises and Fred Straus, and Phyllis stayed in Shelton, but Mary  had a beautiful specialist in lung diseases who is giving the Walker Ames lectures and admired Skid Road. Dorothy was bemoaning the fact that her biology teacher is an authority on the electricity of cells and specializes her lectures in that direction. Gene was contemplating the impending special session of the legislature with some equanimity: there’s nothing more they can take away from the U., he thinks: over-optimistically, I suspect.

We woke up Wednesday morning with the power off. Rosa said she’d been awake most of the night feeling something was odd but resisting the urge to wake me up to help her worry. When I looked out the window: snow.  Several inches of wet, heavy snow. It came with the leaves still on the trees and two of the three Chinese elms by the badminton area snapped off about half-way up, the poplars lost quite a few branches, the tulip tree and the flowering plum some more, and one of the three cottonwoods over by the old laundry tubs next to the paddock gate broke off. No damage to the house, but the yard looked like a stump ranch. I’ve been busy with the Swedish fiddle for the last couple days and most of the debris is cleared away now and we’re over the shock, but it rekindles awareness of impermanence. (I’ll think I’ll write a short story about a man who wants to build an absolutely secure house, and see what it gets me.) [Murray is referring to Allen Wheelis’s “The Illusionless Man and the Visionary Maid,” which is online at http://vk.com/doc401440_3186463?dl=91d06c098f9a0998bd]

Otto and Phyllis and Lisa came by on Otto’s way home from the airport on Wednesday afternoon and we had a fine report. Otto quotes himself as turning to Fred, when they were all alone in a theater one afternoon watching Death in Venice and saying, “You know, Visconti didn’t read the book either.” I think I told you we saw Bergman’s The Touch while in Portland: it was godawful. We didn’t like the Rep’s first play either, “Ring Round the Moon,” but the UW students had a fine version of Albee’s “The American Dream,” and a broad by pleasant comedy by Chekov, “The Marriage Proposal.” Next Wednesday, “The Three Sisters” at the Showboat. 

School rocks along, taking time but not much mental effort. I’ve just graded the first set of book reports, 87 of them, mostly routine. There was one unusual one from a Fox Island Bircher (who likes me, I think) and who explained she finds in the class confirmation of her literal interpretation of the Bible. Education is a many-splendored thing.
We received a fine letter from Howard Daniel during the week. He retires in four weeks, and will stay in Geneva, and plans to write more art books. The Encyclopedia of Themes and Subjects in Painting is out and has been nicely reviewed…

Jim Faber (right) and Ivar Haglund, via historylink and Paul Dorpat




[Jim] Faber had his gall bladder out on Tuesday. We’re going to present him a plastic box in which to preserve it in case he ever runs out of gall and needs it. 
Rosa and I trimmed Balzac [their dog] on separate days and got somewhat carried away with the effort. He’s still shaggy but looks as if he’d stuck his head in a pencil sharpener.

The New Statesman’s current contact is: Write a letter from any prominent person declining an invitation to the Last Supper. I can’t wait for the answers. 

Seattle icons: Skid Road guy, Murray, the stolen Tlingit totem (actually a recreation, which was paid for this time), and Chief Seattle, taken by equally iconic Mary Randlett in Pioneer Square
The second printing of Skid Road is now on the stands. They’ve corrected the errors. It’s back up to 10th on the Seattle charts. Faber says all the young people in his office are enthusiasts: didn’t know Seattle had a sinful past, and look on Jim with new respect.


It’s Hallowe’en and the first of the little monsters have been here. I must go out and set the traps.

Have a good birthday, this year, every year,

Your doting father, 
 M